{"id":7011,"date":"2012-08-17T17:45:34","date_gmt":"2012-08-17T15:45:34","guid":{"rendered":"http:\/\/thedailycouture.com\/?p=7011"},"modified":"2018-09-26T07:00:33","modified_gmt":"2018-09-26T05:00:33","slug":"francais-graduate-fashion-week-couture","status":"publish","type":"post","link":"https:\/\/thedailycouture.com\/en\/francais-graduate-fashion-week-couture\/","title":{"rendered":"Graduate Fashion Week"},"content":{"rendered":"

Alongside greats like Raf Simons for Dior haute couture and Martin Margiela’s artisanal line, graduates of the Ecole nationale sup\u00e9rieure des arts d\u00e9coratifs (ENSAD) counted themselves among the highlights of the 2012\/2013 Autumn\/Winter haute couture week in Paris The Daily Couture looked forward to bringing to light.<\/p>\n

\n

\"ENSAD<\/a><\/p>\n

\n
\n
Fashion & Sense Fashion Show 2012 at the ENSAD<\/dd>\n<\/dl>\n<\/div>\n

For the aspiring designers, summer means not only graduation but an important opportunity to showcase their talent to both the media and to professionals in their fields, be it animation, fashion or design.<\/p>\n

Runway Fashion&Senses by the 2012 ENSAD promotion:\u00a0 students from clothing design section exult the concept<\/span><\/h1>\n

\n

There\u2019s a prescient quality to the ENSAD team and according to Genevi\u00e8ve Gallot, director of ENSAD they \u201cshow a firm commitment to the future.\u201d The ENSAD show took place at the Garden of the Observatoire de Paris, the biggest observatory and space research center in France. The observatory provided a magnificent backdrop to the socially conscious collections presented by twelve of the fashion design graduates.<\/p>\n

The ENSAD promotion stood out to Daily Couture for its use of hybrid materials and fabrics as well as its dynamic presentation: each collection was matched with a fragrance from The International Flavors and Fragrances, the first producers of artificial fragrances in consumer goods.<\/p>\n

\n

Inspired by 1950\u2019s iconography, Charles Pottier\u2019s collection revolved around pleats and counter pleats creating a very structured look.\u00a0 Titling his collection, \u201cThe one everybody is talking about,\u201d his collection is dedicated to the woman\u2019s body. A smoke and mirrors presentation, the simple structure of his dresses creates an illusion: looking at them from different angles reveals curves. That would be a man\u2019s idea, wouldn\u2019t it?<\/p>\n

\n

\"Charles<\/a>
The One Everybody Talks About by Charles Pottier, ENSAD 2012<\/figcaption><\/figure>\n

Androgyny is at the core of Juliette Gourad\u2019s \u201cPalimpseste,\u201d where she strived to rewrite fashion codes.\u00a0 Power clashing takes flight, melded together with harmonious use of color. Her idea is that colors can create artificial fluidity.<\/p>\n

\n

\"Juliette<\/a>
Palimpseste Collection by Juliette Gouraud, ENSAD 2012<\/figcaption><\/figure>\n

Lysmina Attou explored power and fashion by paying homage to the symbolist novel Tomorrow\u2019s Eve<\/em> by August Villiers de l\u2019Isle Adam. She manipulates the idea of the ideal body by conjuring images of the medical field. In her collection, she showcased what is regarded as\u00a0 ideal female bodies , featuring anatomically corrected organs by medical membranes. The concept of her collection can be related to the famous 1997 spring summer collection of Rei Kawabuko, known as the bump collection.<\/p>\n

\n

\"Lysmina<\/a>
Collection L'Eve future de Lysmina Attou, ENSAD 2012<\/figcaption><\/figure>\n

\n

Master craftsmanship by fashion college students in Paris<\/span> with the Astral Fashion Show<\/span><\/h1>\n

The Daily Couture attended the annual fashion show put together by young fashion graduates at Grand Amphith\u00e9\u00e2tre of the Sorbonne in Saint Michel. Supported by the biggest names in French couture, Chanel, Hermes, Louis Vuitton, L\u2019Oreal and the French Federation of Shoes, the 2012 fashion show featured pieces conceived and realized by two-hundred students from five fashion colleges in Paris.<\/p>\n

As a prerequisite for moving on to their next year of study (or graduation), the students were asked to conceive a collection in 120 hours. All the design proposals were inspired by a theme. This year it was \u201cthe stars.\u201d<\/p>\n

The students from D\u2019Alembert, Elisa Lemmonier, Octave Feuillet, Paul Poiret and Turquetil featured pieces from all parts of the fashion industry: pattern-making, shoe-making, leather goods, hair and beauty and embroidery. Unusual to France, the event itself was student-run. The college Leonard de Vinci contributed to the scenography, SEGPA Jacques Prevert created the flower design and the College of Erik Satie headed hospitality.<\/p>\n

Lasting longer than an hour, 158 pieces were revealed by amateur models. The models presented their pieces by carrying a number, each number corresponding with a data sheet that listed the name and creator of the design.<\/p>\n

Out of the 158 pieces presented, a few were exceptional, such as a dress made from feathers titled, \u201cDiane at the Garden of Eden,\u201d created by first and second year students at Octave Feuillet.<\/p>\n

\"fashion<\/a>\"fashion<\/a><\/p>\n

<\/a><\/a><\/p>\n

The winner of the First Prize for the Evening dress, Adelaide Brient from Octave Feuillet, was offered a computer with the Vetigraph software. It was given by the president himself, Pascal Jehan.<\/p>\n

<\/a><\/a>\"evening<\/a>\"pascal<\/a><\/p>\n

There\u2019s plenty of food for thought about the state of fashion and craftsmanship education in France, where liberal arts colleges remain the norm. While in 2011, the government aimed at giving back value to technical skills, making drawing a compulsory skill to learn in all schools in order to empower students who want to acquire broader skillsets.<\/p>\n

Master craftsmen don\u2019t always share the vision of the French government. According to Sania Mon\u00e9gier, the director of the Association of Training for Tailoring (AFT), dedicating oneself to practice should be maintained in teaching crafts.<\/p>\n

She regards specialization of students as the key to perpetuate some traditional craftsmanship and resents the idea of enhancing teaching of all kinds of skills. She does not believe that a student should become a jack of all trades, but instead, focus on one skill. (That is, she doesn\u2019t believe skills like drawing should become compulsory; rather students should pick one course of study only.) By focusing on one skill, they will be able to progress more, rather than becoming only adequate at many skills.<\/p>\n

\"fashion<\/a>
The winner of the First Prize for the Evening dress, Adelaide Brient from Octave Feuillet<\/figcaption><\/figure>\n

\n

One thing is for sure though and that is that master craftsmanship and the training enabling their mastery needs to be valued. In this time of graduation ceremonies and fashion shows by the students, it was the opportunity for the Daily Couture to explore this issue.<\/p>\n

Translation by Katya Ungerman<\/a><\/span><\/em><\/strong><\/p>\n

\"Katya<\/a>
Katya Ungerman, contributing editor and translator<\/figcaption><\/figure>\n

<\/span><\/em><\/strong><\/p>\n

<\/em><\/strong><\/p>\n

<\/em><\/strong><\/p>\n

<\/em><\/strong><\/p>\n

<\/em><\/strong><\/p>\n

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<\/em><\/strong><\/p>\n

<\/em><\/strong><\/p>\n


\n<\/span><\/em><\/strong><\/p>\n

Notes :<\/p>\n

ENSAD<\/a><\/p>\n

D’Alembert College
\n<\/a><\/p>\n

Elise Lemonnier College
\n<\/a><\/p>\n

Marie Laurencin College
\n<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Alongside greats like Raf Simons for Dior haute couture and Martin Margiela’s artisanal line, graduates of the Ecole nationale sup\u00e9rieure des arts d\u00e9coratifs (ENSAD) counted themselves among the highlights of the 2012\/2013 Autumn\/Winter haute couture week in Paris The Daily Couture looked forward to bringing to light. Fashion & Sense Fashion Show 2012 at the … Continue reading “Graduate Fashion Week”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":7050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[277],"tags":[190,198,79,148,62],"class_list":["post-7011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-ensad","tag-fashion-students","tag-haute-couture","tag-master-craftsmanship","tag-the-daily-couture"],"yoast_head":"\nGraduate Fashion Week - The Daily Couture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedailycouture.com\/francais-graduate-fashion-week-couture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Graduate Fashion Week - The Daily Couture\" \/>\n<meta property=\"og:description\" content=\"Alongside greats like Raf Simons for Dior haute couture and Martin Margiela’s artisanal line, graduates of the Ecole nationale sup\u00e9rieure des arts d\u00e9coratifs (ENSAD) counted themselves among the highlights of the 2012\/2013 Autumn\/Winter haute couture week in Paris The Daily Couture looked forward to bringing to light. 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